Lieu : Rome (Italie)
Dates : 28-30 mars 2022
Date limite de réponse à l’appel : 31 juillet 2021
The theme of the conference is Image and Narrative in Romanesque Art, and the aim is to examine the deployment and nature of imagery in the 11th and 12th centuries. While illustrated codices, sequential pictorial narratives, apse mosaics, devotional statues were well established before c.1000, several important new image types and settings came into being over the Romanesque period – moralizing programmes, historiated cloisters, figuratively enriched portals, imagery in glass. How might we understand image and narrative in the Latin West between c.1000 and c.1200? We welcome proposals for papers concerned with narrative modes, the significance of spatial positioning, accessibility and visibility, the uses and physical trappings of devotional images, the relationship between static and portable forms, and the extent to which media play a role in the development or importation of new iconographical formulae. Are images invested with singular meanings, or are they intentionally polysemous? Does the interest in architectural ‘articulation’ initiate a new understanding of the expressive and aesthetic potential of imagery, and/or emphasise its didactic purpose? Are viewers provided with guidance as to interpretation – through inscriptions or compositional and visual triggers? What are the preconditions for change – theology, monasticism, political and ecclesiastical reform? How does medium and setting affect imagery?
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